Saturday, 3 December 2022
Thursday, 24 November 2022
Poetry 2022 Longlist
Sanket Mhatre, Poetry 2022 First Prize
Butterflies have odd jobs here
of leading you to the beach
or misleading you –
deep into coconut groves
where stories of faint shorelines
merge with crumbling mansions
covered in half foliage
and derelict truths
The monarchs leave a trail of silence
As they show you around
Reserved tour-guides
their flutter isn’t restless but
a surreal dance of organized harmony
They aren’t looking for milkweeds alone
but for a lost address and a house with no name
before they turn homewards
Bhagyashree Mishra, Poetry 2022 Shortlist
A Quarantined Quartz
When on the solitary settee, I sit
Shells of silence conceal my being
Clicking on the ridged cartilages
A sole sound from the tirelessly ticking hands
Hung on the wall of solitude, walks in
The clock houses a quarantined quartz
Just as all of us - humans at home.
When on the spruced-up bed, I settle
Ubiquitous uncertainty floats in the air, up there
Spinning from the ceiling, fanning my flames of fear
Whirls and whirls, my mute spectator - the ceiling fan.
When through the glass pane, I take a sneak peek
An empty lounge, a void play area gaze back at me
Lawns lulled to slumber, wrapped in layers of loneliness
Seems to be an unexplained mystery - this emptiness, this nothingness.
When into the tunnel of thinking, I'm thrusted
Imprisoned within a fort of fright
Caged in a casket of catastrophe
I yelp at my helpless being, yet
A rumbling train of thoughts keeps up the stride
Only to embrace luminous rays of hope at the tunnel's end
Baking my sunken eyes, blissful beams whisper -
"This isn't the end, things will soon mend."
Alka Balain, Poetry 2022 Shortlist
The Swimming Prayer
Wading in the pool, the Sun spreads
the watercolours of dawn.
I tri-part the water that cleanses my skin.
My fingers pen verses on its surface
after birthing unbidden in the night.
As the water whirls in love,
I envision
You dancing in the spiral
carrying me along,
and I carry You in me
all day, my friend.
Shiqran Sharfuddin, Poetry 2022 Shortlist
That Hour Has Come!
(Part 1)
As I passed through the threshold,
Some cautious Signs were being displayed,
With actions so ominous, questioning:
"Does the Hour have a Knowledge that
You can know it by?"
A suspicious pause ensued,
Provoking me to think, think and think...
Oh Yeah! And those Signs
Everyone has to learn them,
Prior to their taking place...
So that, they can recognise that Hour,
When they see those Catastrophes!
And that Hour exhibited shamelessly,
The trust-worthies as the liars
And liars as the honest ones!
Criminals becoming the law-makers,
And money influencing the judgement;
Liars' blabbers getting listened in zeal
And guiding sermons getting dumped in the bin;
"These are the Signs!"
Listen, you deaf! the clock is ticking...
And that Hour finally arrived,
Which had been predicted-
Renowned swindlers controlling the Markets,
And the Hypocrites ruling the Kingdoms;
Interest Banking ruling the world,
Making rich richer and poor poorer;
Acid starts raining and rain becoming a curse
Also, the rain harvesting the drought;
"These are the Signs!"
Lo Mankind! Open the eyes!
Dishes working restlessly
And one severing his blood ties;
Wide world shrinking just as a village
And one doesn't visit his sick neighbour;
That will really be a hazardous threat,
When architectures get designed ornamentally,
Skyscrapers start kissing the skies,
And Old parents rotting in Old Age Homes!
"These are the Signs!"
Books will be million in number
And illiteracy will be everywhere;
Foolish will have high respect
And Scholars shall be thrashed apart;
Knowledge will be learned,
For the only sake of worldly gain;
And Number of preachers will increase,
But, Preachers themselves will practice not,
What they preach!
"These are the Signs!"
Beats of music will be everywhere
And woeful wail will not be heard;
Haridos will start resembling the Bactrian Camels,
And men will be women and women will be men;
"These are the Signs!"
Those are Deaf, Dumb and Blind,
They'll never return to the Path;
Even after being shown a thousand signs!
They'll rule that hour!
For which of these Signs will ye deny?
These are the indeed Signs,
For the men of better understanding,
“That Hour has now come!!!”
Chandrama Deshmukh, Poetry 2022 Shortlist
My grandmother –
She lived a full life they say!
‘What is a full life?’ I wonder.
Does it mean being nice to people so they keep checking boxes in their good books?
Does it mean filling spaces left by others, mending broken hearts,
Does it mean waiting for something to move you, to rattle you,
to make you feel alive?
Or does it mean letting yourself loose,
What is a full life after-all?
She was always brimming with spontaneity
that she curbed without hesitation,
because it was a norm.
She hated schedules, routines and repetitions,
to draw perfect pictures,
focusing on one square at a time.
It’s ironic how she reminds me of rainbows
I still picture her soaking in the scorching sun
I still see her, eyes focused on the sewing machine,
This is my grandmother, who lived for 83 years
Unlike me, her math was impeccable,
but she never bothered to delve into the inverse ratios life threw at her.
She kept knitting crochet shawls
My grandmother was without a past or future.
She scrubbed her feet rigorously
and never walked barefoot.
She always believed she’s not meant to walk,
she’s meant to fly.
Finally, she did fly!
No, I haven’t lost her. I never will.
She was a phoenix
Everyone thought she was perfect.
Rest in peace Aai.
That suits you better!
Amar Agarwala, Poetry 2022 Shortlist
When Dusk Draws Nigh
Silence morphs the call of falling dusk
Gathering under fiery skies,
Stilled leaves in sombre silence hang
Moping at the darkness that plies.
Dusty paths the homebound cattle plod
Syrupy chirping of birds in flight,
Smoke from the earthen ovens pause
Wistfully staring at twilight.
Frenzied bats eke out their weary awls
Urging the evening star to wait,
To let moon lord overnight,
And muse over their morbid fate.
Wind over the placid river brings
Low tidings for cicadas to cry,
Fathom the fragrant moonflower will
Need endeavour to pacify.
When vigil of stark skeletal boughs
Stand mournful over the hooting owl,
And the mist like a wimple veils
The nocturnal creatures that prowl.
Those who lie in cemeteries stark
Berate the mausoleums old,
Affording them scant room to move
Adding to their ordeals untold.
Crimson dawn will pale the darkened sky
For light to lug another day,
Darkness would need wait again
For dusk to come upon its way.
Preeth Ganapathy, Poetry 2022 Shortlist
Grandfather
(For AB Nachaiah)
One afternoon, when the sun shone
jasmine yellow on the vast cement courtyard,
and the cranes were moving white dots
on green rows of paddy fields
and the rest of the household had trooped out
to dance to the laughter and bells,
chimes and beats of a wedding,
you stayed back,
held my hand in your green-veined one
helped me take baby steps
into the land of mathematical
wonders -
division and time,
where I learnt how
a single bar of Cadbury Diary Milk
can be divided into equal pieces
between three cousins,
where I learnt how to read time
on the little red bedside time-piece,
where I learnt how time divides
everything it touches, into tiny squares of past.
I look back now and think –
I was actually learning how
the dividend of your days
was divided by the divisor of your passion
and your profession tightly rolled into that single yarn
of teaching.
I tripped over stone
after milestone that afternoon.
The quotient was what twinkled
in your voice as you steadied me, wiped by soiled knee,
clapped your encouragement
which stayed with me
when I, years later, began to walk and then run
across that strange land
of mathematical wonders,
calling it
mine,
negotiating the pitfalls of algebra
and crossing over the potholes of many a parabola.
But, what you never taught me,
what you never taught me,
that afternoon,
was how to read the time
of departure.
And now I am left,
with a constellation of memories
as the remainder.
Mathew John, Poetry 2022 Shortlist
Half Chai
is meditation
as you get used to
sitting on the steps,
the sweat of working women returning home,
family- full bikes whirring past,
dogs shitting in yellow brown,
the proverbial old woman with a stick,
the pan-spit stains, the finger dips and
the Brownian motion of brown tea powder.
Half Chai -
In this bonsai of a glass
Red brown
Earthen colour
Earthen mirth.
What is there
That I have not known over a glass of tea ?
Love. Anger. The sharing of souls.
Drink
Red brown sorrow
Burn the brain - lest it sleep to death.
Half chai
Again and again
Slows down my speed train
Makes crystals out of time
Gives me back
The still of the moment.
For resurrection in the mornings,
Salvation in the evenings
Thank you.
Here, I betray you
For four steel coins.
My half chai,
Crystal maker.
REFERENCES
Half Chai – is the local Indian slang for a small glass of tea. ‘Chai/Chay’ means Tea in Hindi.
Chandrali Das, Poetry 2022 Shortlist
Forbidden
Her pace gradually slowed to an amble from brisk,
As she caught sight of the towering black obelisk.
Everytime she'd visited the graveyard, it'd served as a landmark,
For that colossal alabaster pillar was the only identifiable structure in the night's pitch dark.
The gravestone seemed grayer than she seemed to recall,
The new moon night exacerbating the graveyard's forbidding, deathly pall.
Undeterred, she placed her palm over the ice-cold stone, brushing off the dust,
As the winds seemed to billow in a compassionate, rather caressing gust.
Placing the crimson-red roses she carried on the tomb,
for the thousandth time, she reread the epitaph.
Her beloved had scripted her own destiny all right, to the grave from the womb,
Even penning down a eulogy to be read at her own funeral before she killed herself,
That cruel, cruel girl, she'd left all devastated, choosing to have the last laugh.
A wistful smile escaped the girl's lips,
If irony had a patron deity, he must've taken a fascination to her.
Their love had been 'forbidden' in life,
For they didn't fit into what the world had deemed 'acceptable',
For all everyone wanted was for love to be defined rigorously,
For each word to be underlined until the paper gave way beneath.
Even now, as she grieved the hole in her heart, she had to inconspicuously sneak into the graveyard,
For women weren't allowed entry, the scriptures said.
Scriptures-words of 'wisdom' told and perpetuated by men alone.
The prospect of Judgement Day terrified her no more, and never would,
For men had differentiated, segregated far more than God ever could.
Nivedita Narsapuram, Poetry 2022 Shortlist
Maps and Graph sheets
Do you remember those political maps
we bought at the stationary shop?
Those flimsy sheets of paper that sold maps,
political, apolitical
For five marks, we would mark the bumps and ridges
and the slimy waterbodies
Now, they are sold in three-dimensions and five-dimensions
Do you remember the year
when we did not know what
north-west or north-east meant
And a half-mark was cut
Now, our maps are marked by
Caste-marks and headgear
But we know the slimy measurements
Are measured by what we wear
Vinita Gera, Poetry 2022 Longlist
The Last Poem
The longing memory of the man
I irrevocably love/
beholds me wherever I go,
every street is a strap
every alley hides a ghost that
spangs at me like a jumping jack
I whimper, hold me.
Hold me one last time before I
lie in the bedroom and
wake up every morning with
curtains drawn and nothingness washing over me
like a lethargic wave
Hold me one last time before I
die and dive through the earth,
like a mermaid of the soil
to be next to your bones
Hold me one last time before I
leave the city
lie down crawling my way to the edge
lean over the abyss
and become the last poem in the world
Hold me one last time
or read me, written as the last poem in the world
I am leaving the city before
the city leaves me
Hold me, hold me one last time.
Vinita is a creative writer, her unique flair for writing reveals a mind, and is persuasively poetic. The invincibly capable finds peace in her solitude and coffee. Imperfections fascinate her. Uncertainties she embraces. The eternal seeker within the human condition is constantly on a discovery unveiled through her writing. Self-acceptance, her trademark, is so refreshingly robust that oftentimes leaves people with whoops of admiration for her freedom of thought. Using her stumbling block as a stepping stone is what sets her as a prime example of grace under pressure.