Showing posts with label Debasish Mishra. Show all posts
Showing posts with label Debasish Mishra. Show all posts

Saturday, 1 August 2020

Debasish Mishra, Poetry 2020, Featured Writer

RELATIONSHIP

(for my father)

Forgetting is not a possibility
when you lose something
which is a part of you.

Rather, it helps
when you are inundated 
with remembrance,
with the presence:
here, there, everywhere,
like the memory of gleeful Gulmohurs 
that I last saw in Koraput.

My father, you must have loved me
even before I was born.
And now, I love you more madly
after your physical demise.
Mark the roots of our relationship
which stretch on both sides
of the duration called life.
This durable tree dourly resists 
the pangs of fate and time.

We shared a common birthday.
24th of September was our day.
Father and son together.
Is it a mere coincidence?
Or rather, a divine proof
of how close we were?

United by birthdays:
Father-son, friends, co-birthday-boys.

Now, I'll be celebrating a half of it,
every year.
The other half will be eaten away
by the pain of your absence,
the weight of memory.

When I was young, you gave me
your best shirts.
They fitted me well.
During my college, you always loved
to pick one that was dumped by me.

And towards the last phase,
you gained some weight
and expanded your waist,
much to our collective suprise.

It was your plan, I know,
to be able to wear my unused trousers.

Waist 32: both father and son.

When I travel back, I'll make sure
to pick a couple of your T-shirts
and wear them.

I know, I am not as handsome as you.
You were meant for the camera.
But I'll try to fit into your shoes.

We were much more than just a father and a son.
We were a lot more:

partners-in-rhyme,
friends, brothers, clowns.

And thus, this space that you have left
will always remain unoccupied,
Like a piece of memorial land,
where human habitation is prohibited.

But U will remain there.
Not exactly a status-quo!
I will replace You with U.
You is a formal construct,
Which has been renounced already.
U however is colloquial,
an incorporeal presence,
which defies formal norms
and stands as the stamp
of your Ubiquitous, Universal existence!

U is my answer to the LOSS:
Longings of Soul and Sorrow
as if it is an acrostic.

And this U, unlike You, also forms
The nucleus of what we call oUr.

I can never forget you.
I can only transform You to U
And forge a strong bond again. 

Thursday, 15 August 2019

Poetry 2019 Featured Poet, Debasish Mishra


VELVETY VIGNETTES

It rains gently
And petrichor brings the postcards of the past,
Velvety vignettes of memory
Unearthed from the coffin of oblivion.

I remember how I tinkered
With the topography of your skin,
Touching the braille
Which bemused me with its music.

I remember how I gazed
At your eyes for endless hours,
The telltale signs and secrets,
Deciphering the poetry therein.

I remember everything —
Your smiles, your movements,
Your words, your silences
And the long silence that followed.

This sudden gust of rain
Enlivens the past and ushers me
To the forgotten corridors of memory
Which will probably fade again
With the passing of the petrichor.

Saturday, 15 December 2018

Poetry 2018, Featured Poet, Debasish Mishra

Golden Ken- A Roseate Sonnet Couplette

Years tears flow, go by; I
Can’t rant but shut
My dry mouth — drouth
Of love, each speech.

Pain rains, yet debt
Of love I try
To (phew) free, repay, yay,
In bins of shoved, few, muted dead words, birds

Sith without clouts, wings, things;
Smacked, blacked by lies, fate. Wait,

Red shreds, pale, stale,
Of love thrive;
Strives my dry soul, whole, huh! To be free;
Eyes dry hold golden ken— streams, dreams!

Note – This poem is the fusion of two novel forms of poetry – a Roseate Sonnet and a Couplette. A Roseate Sonnet is a form invented by Dr. Ampat Koshy in which the traditional sonnet is remodeled with an acrostic at the end, reading ROSE. A Couplette, on the other hand, is another form of poetry devised by Dr. Duane Vorhees, in which the rhyme of syllables has to be maintained (For instance, the first syllable has to rhyme with the second, the third syllable has to rhyme with the fourth and so on).

Poetry 2018, Featured Poet, Debasish Mishra

Golden Ken – A Roseate Sonnet Couplette

Years tears flow, go by; I
Can’t rant but shut
My dry mouth — drouth
Of love, each speech.
Pain rains, yet debt
Of love I try
To (phew) free, repay, yay,
In bins of shoved, few, muted dead words, birds
Sith without clouts, wings, things;
Smacked, blacked by lies, fate. Wait,
Red shreds, pale, stale,
Of love thrive;
Strives my dry soul, whole, huh! To be free;
Eyes dry hold golden ken— streams, dreams!

Note – This poem is the fusion of two novel forms of poetry – a Roseate Sonnet and a Couplette. A Roseate Sonnet is a form invented by Dr. Ampat Koshy in which the traditional sonnet is remodeled with an acrostic at the end, reading ROSE. A Couplette, on the other hand, is another form of poetry devised by Dr. Duane Vorhees, in which the rhyme of syllables has to be maintained (For instance, the first syllable has to rhyme with the second, the third syllable has to rhyme with the fourth and so on).

Monday, 25 September 2017

Poetry 2017 Longlist Debasish Mishra

Who’s Ugly?


(An absurd dialogue-poem, inspired from Samuel Beckett’s Waiting for Godot) 

A: It's cosy to sit beneath this mammoth tree.
B: Yeah, I love the silence and solitude - just you and me. 


A: Your face looks strange, where had you been?
B: What rubbish! That's your face which you haven't seen.


A: Your face looks uglier than mine any day.
B: I disagree. Have you got anything else to say?


A: What about the smell of your stinking socks?
B: Signs of a great man, sweating in hills and rocks. 


A: You are unbearable, that's the bottom-line.
B: You are the one with the swagger of a swine. 


A: There's a passerby, he'll surely clear the doubt.
B: Yeah, call him. He'll tell who's ugly. Shout!


A: (Calls the passerby) Keep calm and wait till I ask.
B: Trust me, Oh comrade, that ain't a difficult task.


A: See our faces and answer the query, O friend.
B: Yeah, tell who's ugly between us and the debate will end.

C:(with fury) You both look miserable, an insult to art!
A and B: (hiding faces in their palms) Let us depart.

Thursday, 1 September 2016

Short Story 2016 Third Prize Debasish Mishra

The Cremator

Normally, a man started to weaken as he approached towards the eighties. Teeth succumbed. Hair greyed or disappeared. The skin, with wrinkles everywhere, flapped like a silken cloth. Bones became vulnerable like glass. Fragility prevailed. However, out of all exceptions, Hari was, probably, the most prominent one. Excepting the grey hue of his hairy-head and the sparsely scattered snowy hair on his chest, which looked like ageless creepers, he was quite a young man. His dark lusty muscles were enough to induce a shudder, even in the college-goers. He was a benefactor not only for his village Jangar but also for many of the surrounding villages. When anyone around him died, he undertook the responsibility of cremation in return of a few rupees. He did not arrange for the wood and the other necessaries that were demanded as per rituals and traditions. He had nothing to do with the priestly activities, which boasted of purging the dead and repelling the evil spirits with jargonized intonations. In fact, he only supervised the cremation; the melting of the corpse to a totally different avatar, crackling at times with terrifying noises, flaring a few sparks out of nowhere, and breaking into fragments under the all-encompassing fire. After the fire was lit – preferably by the eldest son of the deceased – his task was to prod the fire with a wooden log, moving the woods towards the intensity of the fire, or shoving the upper half of the body that rebelliously rose after some time of burning, until the corpse dismantled and transformed to a deadly spectacle. Quite rightly, he was regarded as the cremator.

He lived in a small hut situated in the vicinity of the crematorium, the large patch of unoccupied land towards the fringes of Jangar. In order to pass his time, he had formed a little garden of flowers and vegetables just adjacent to his hut. Roses, tulips and lilies of several colours – red, lilac, yellow and white – bloomed in unison singing eulogies of the majesty of beauty. A few creepers of ivy gourds – that grew on their own like the bushes that circled his circumference – climbed the walls of his hut, like reptiles. As many as ten banana trees stood firmly on one side of the garden like persons in a queue. A few plants of tomato, onion and brinjal were cultivated behind the banana leaves.  Almost a hundred metres away, opposite of the crematorium, there was a temporary pond that brimmed in the rainy season. When the pond was at spate, it harboured a host of frogs, whose croaking along with the whirring of the crickets stabbed the silence of the hut at night. After years of patient hearing, Hari had discovered a soothing melody in the voice of those emotional creatures as if he understood their language. His faculties of hearing had reduced abysmally over the years, yet the sounds reached him impeccably. The rainy season was his favourite. In addition to the solace that he elicited in rainy nights, there were other reasons too. The soft drizzle over the banana-leaves produced a spectacle of joy. The drops atop the leaves sparkled like gems and Hari exulted like a child just to see the drops falling, glistening, like bounties from heaven. He wished to see the glitter throughout his life, incessantly. A few insolent kids – bare bodied and frail - from the nearby villages roared and frolicked near the pond. They would sit in the bank in the quest of a rare fish as though they were professional anglers. They never found one. Hari often screamed at them, scared of the fact that someone could easily drown in the turbulent waters. He believed that children had little idea about the transience and importance of life. He had seen a thousand dead bodies of children who died premature deaths due to diseases, accidents and, often, ignorance. In the summer, the pond dried completely and the cracks became visible like a pencil-sketch, akin to the cracks in the walls of the hut of the old man. The frogs and their songs disappeared to oblivion. However, adults and incipient adults (either from Jangar or from the nearby villages) often visited the place with a bottle of liquor or a few cigarettes or both. There was an old man, a tad younger to Hari, who illicitly sold liquor in the village. He charged double the price but his presence did away with the inconvenience of travelling all the way to the nearby town for a mere bottle of wine. The villagers preferred his service unless they had some unavoidable errands in the town or had someone coming from the town to their village.      

More often, Hari slept outside, occasionally watching the funeral pyres as they illuminated and smouldered endlessly, finally making space for other bodies. He was often woken by the melancholic chants of “Ram naam satya hai” by a host of men clad in white, who carried the corpse in a bamboo-bier, draped with flowers. He never displayed an ounce of reluctance, no matter what the time was, no issue how his health was! He involved himself with unmatched fervour – hiding his fever or the trifling indisposition if that ever existed. He had no sign of fear. Some people believed that he conversed with ghosts in the night. Some also opined that he was an exponent of black magic.  Maybe, that is why he had a very few visitors unless his service was utmost necessary. In other words, only a death in the family reminded the villagers of Hari. However, there was unanimous agreement that he was extremely fearless and courageous.

He was reminded of several anecdotes while the corpses crumbled to ashes. He had seen the decay of generations in his naked eyes. For instance, he had torched the zamindar, his brothers, his cousins, his father, his uncles and his grandfather. Unfortunately, the lineage ended with the demise of the middle-aged Zamindar who had no heir to succeed him.
The people of Jangar and the nearby villages could hardly forget that eventful day when the dead body of the ex-MLA was jauntily set ablaze with the help of the old man's experience. It was raining relentlessly. The body anointed with pure ghee was placed at the pile of imported sandalwood. No one had expected the fire to cope up and stand against the heavy downpour. But Hari had other intentions. He had mastered the art of burning corpses and the inclement weather was hardly a challenge for him. He tactfully cloaked one side of the funeral with a tent-like-structure and allowed the fire to gain momentum with plenty of kerosene oil. He, in fact, invented the tent-like-structure with the use of fireproof and waterproof cloth. Subsequently, he shifted the tent-like-structure to the other directions and the fire grew in intensity. The onlookers, mostly VIPs, standing under white umbrellas, stared at him with awe and wonder. Even the memory of that unforgettable night instigated a smile in the cheeks of Hari.
Whenever the son of the dead MLA visited the village, he made it a habit to get a packet of tobacco for Hari. Hari was often seen in his antique cot – placing a pinch of tobacco in his right palm and rubbing it gently with his left thumb, making it ready to be gulped. He was alive for mainly two reasons, according to him – the irreplaceable service that he provided and tobacco.
A tiny schoolchild, frail and fragile like a raw bamboo, once visited the old man while he was usually sitting in his string cot, chewing tobacco, and witnessing the beautiful birds and butterflies. 
“Why have you come here? Your parents will kill you if they find you in my place.”
Hari had a very few visitors. Most of the visitors would approach him for his service of cremation. Hence, he was scandalized to see the child in his place, that was located at a fair distance from the village.
“I need your help.”
Startled, Hari asked, “My help?”
As per his belief, he was only meant to help the dead. For a moment, Hari thought that the child might have lost either of his parents.
“My teacher has asked me to write an essay on ‘Life and death’”, the child stuttered.
Hari laughed and said, “There are many educated men in our village. You can seek their advice. How can I help you?”
“You are the cremator. You have seen a thousand deaths. Nobody can dictate a better essay than you.”

The chest of the old man swelled with pride. A curve prevailed over his lips.
“What is your name, by the way?” he asked.
“Raju”, the child returned, licking his fingers.
“Nice name. I had a friend named Raju who died a few years ago”, the old man reflected.
“Please help me in my essay”, the child pestered.
The old man cogitated on the crematorium, that was bleak and blank like the skies above.
“Life is a journey and death is the end. But who knows! They say there is life after death too. I think that death is just an aberration. A speed-breaker. A reality we do not know. But ignorance is not non-existence.”
The little kid was flummoxed by the philosophies delineated by the old man. Even a middle-aged man would have been puzzled at the tenets preached by him.
The boy – in a bid to drag the topic to understandable terms – asked, “You were born before independence. You must have done the cremation of some freedom-fighter.”
Hari contemplated on his garden, displaying a radiant smile.
“Yeah, I have torched some luminaries who lost their lives during the freedom struggle. Interestingly, I have even burnt the corpses of some policemen, though clandestinely, to help our brothers in their cause.”
The smile widened as Hari’s mind meandered through the vistas of the past.
After some time, the child left for his village, Wekhuli, leaving Hari with his delectable pastime of watching the birds and butterflies. The birds crooned mellifluously. The butterflies – black, yellow and some black ones neatly specked with yellow dots – hovered over the flowers and the garden, bidding adieu to the setting sun.

A few days later, the child – befriended by another child of almost the same age – visited the abandoned hut of Hari.
“He is my cousin, Monu. He has come to our house on a vacation. When I told him about you, he was curious to meet you”, the boy narrated with a gaping mouth.
The other boy, Monu, smiled coyly from behind.
Looking at the excitement of the boys, Hari thought, “I was never a watchable object. These kids have made me an animal of the zoo. An object of the circus.”
Catering to their childish demands, Hari exhibited a smile and asked, “Where do you live, Monu?”
Raju, with his loquaciousness, answered, “He lives in Mumbai”.
Hari, for a moment, thought that the child was either dumb or an excessively shy fellow because the question was thrown at him and not on Raju.
Breaking the scepticism of Hari, Monu, the boy from Mumbai, said, “My father drives an auto-rickshaw in Mumbai. The traffic there is awful. My father has narrowly missed many accidents by a whisker. But accidents occur abundantly. If you come to Mumbai, you will get a lot many corpses to burn everyday.”

Hari laughed at the suggestion as if it were a joke.
He was also happy for the fact that Monu spoke many sentences uninterruptedly.
“I have lived all my life in Jangar. Mumbai is far away. I have not been to Srabanpur. To be candid, I am happy here. This place suits me. The hut, the garden with flowers and vegetables, that field which becomes a pond during the rains and homes the frogs, the birds and butterflies, the crematorium, and the corpses that I burn, are my own. I have a deep sense of ownership on all these things. Leaving them will be a death for me!”

The boys stared at him, unblinkingly, unable to decipher the degree of his nostalgia.
The philosopher in Hari possibly bored them. After answering to their queries, that moved from the freedom struggle to the cremation of the MLA, Hari asked them to leave. He never wanted the kids to stay with him till the sunset. Wekhuli was a couple of kilometres away and the kids had to reach home early to evade the ire of their parents.

Hari was slowly becoming fond of Raju’s company. The frequency of the visits increased over the period of time. It so happened that every afternoon, Raju arrived at Hari’s place, after returning from school, and accompanied the old man in viewing the birds and butterflies. He watered the plants in the garden with clinical attention, allowing the old man to take rest. He lambasted the old man for his inveterate habit of consuming tobacco and the latter promised to give up the addiction, someday. On some occasions, he brought mangoes for the old man. These were mostly stolen from the backyard of the school. Hari castigated him, initially refusing to accept them, but finally gave up to the diffidence of the little kid. He often bestowed the child with flowers and vegetables. For all these years, Hari was lonely in the abandoned place. He sought solace in the birds, the butterflies, the frogs and the other inanimate things. For the first time, he was close to a human being. The influx of Raju to his life generated a strange kind of happiness that he was not aware of, since his birth. He understood the importance of human presence, the necessity of a family. Despite the differences of age, he regarded the child as his friend. His best friend.

Hari enjoyed a sense of ownership over Raju. He even went to the extent of slapping the boy on his cheeks on one occasion when the tender boy was attempting to annihilate a beehive located just outside the fence of his hut. Raju responded with tears but he did not utter a word of objection.
“The bees will attack you. That is one thing. Most importantly, their homes will be destroyed. How will you react when your own home is obliterated?”

Raju had no answer to the inquisition. He realized that he was at fault. However, the old man hugged him with his lusty muscles and apologized for his anger. Raju promised not to repeat his insolence.
Meanwhile, the favourite season of Hari arrived with the advent of the monsoons. The earth was embellished like a bride with the chandelier of lush verdure all around. Some drops shone over the leaves. Some trickled from them. Together, they added aesthetics to the panorama of beauty.
Raju was not seen for a week or more. Initially, Hari believed that the relentless rains that accentuated in the afternoon might have hindered the arrival of his little friend.
“He must be returning to his home directly from the school. How can he come to me during heavy downpour?” he thought.

He sought solace in the beauty of the aura, amidst the myriad worms and insects (that cropped up exclusively during the rains), the familiar birds, butterflies, and the mellifluous frogs. After all, these were the sources of ecstasy, long before he met Raju.
Days passed. The impact of the rains somewhat dwindled. It had been a month since he last saw his little friend. Unable to contain his impatience, he ventured into Wekhuli, which was a different spectacle of what he had conjectured. Colourful houses had replaced the old-modelled-clay-clad huts that he had seen a long time ago. He did not remember when he last saw the place. He never had the urge to visit this village. Things essential for a living were available to him in his solitary world. If necessary, he travelled to the main market of Jangar that was half a kilometre away from the crematorium.

There was a big playground in the centre of the village. It was a wasteland with unwanted trees and bushes at some point of time. People were scared of it as it sheltered a variety of venomous snakes. However, time triggered the unexpected transitions.
“Even the crematorium will become a colony of the new generation someday”, he thought. 
He beckoned a kid from the playground and asked him about Raju.
“He is ill. He is suffering from fever since a month”, the kid replied.
“Where do they live?” he quizzed.
The boy pointed his finger to a house at a fair distance and said, “That one”.
Hari ambled as per the direction of the little boy to the house in red.
He stood outside the door. Before he could knock the door, he was pulled back by a strange kind of hesitation.

“What will his parents say? I belong to the world of the dead. Even my shadow is considered to be inauspicious by them.”
Restraining himself, he decided to return.
However, his desire to see Raju was intense.
He, therefore, surreptitiously glanced through the window at the bed where poor Raju was lying like an inanimate object.
“Get well soon, my friend! I am missing you”, he whispered, before returning to his world.
 
A couple of weeks passed and there was no news on Raju. The rains intensified once again. The croaking of the frogs escalated with every passing night. On one such night, while Hari was attuned to their passionate songs, he was interrupted by fervent knocks at the door.
“Perhaps someone has left this world. Oh God!" He said to himself.
A visitor in the night to his hut was, unmistakably, a member or a delegate from the family of the bereaved.

When Hari opened the door, he saw a throng of sinewy men, each with a lantern in hand, standing on the other side. A few of them carried umbrellas. The others, vulnerably exposed to the relentless rains, stood helplessly while the faint light of the lanterns fell on their faces and manifested the dripping of the raindrops, one by one, from their wet and dishevelled hairs.
“What happened? Who has expired?” Hari asked with utter dismay.

He could surmise that something was wrong. This was not a usual death. Such a throng was only expected in connection to the demise of an influential personality like a Zamindar or a MLA.
“The one you had plotted for”, a man from within the mob grunted loudly, pointing to a corpse that was laid amid an array of wooden logs in the crematorium. A few tearful faces, clad in white, circled the pyre, while the priest was carrying on his intonations.

“What?” Hari asked in surprise.
“Your black magic has yielded fruits. Raju is dead”, someone mumbled. A moment later, a man from within the crowd broke down and lost his senses. The others rushed him into the hut. He was Raju’s father.

The earth below the feet of Hari quaked for a moment. A lightning flashed in the skies in consistence with the tempestuous interior of the cremator. His heart skipped a beat or two.
“What are you saying?” the old man asked, in a tone gravid with angst, shock and disbelief, refusing to believe his ears. It seemed as though the tears were held back in the brink of his eyes.
Another man returned, “Some people had seen the kid in your hut on myriad occasions. The village folk saw even your entry to the village in search of Raju. You cannot deny the fact that Raju was a victim of your black magic”.

Abuses were hurled in unison.
“Why did you kill the small boy? What harm did he cause to you?” another irate villager asked.
“Black magic! What are you saying? I loved Raju. He was like my son”, Hari averred, as his voice started to smart, his eyes glistened like stars.
“How did you know him?” someone quizzed.

“He had first come to my place to seek my help for his essay. Then, he came after some days on his own. I never invited him. Gradually, I was fond of his company. The visits increased. He watered my plants, nourished my garden and heard my stories… And then when he did not come for a month or so, I went to the village to see what had happened!”
The irksome mob paid no heed to his explanation.
“So you will guide the children of our village for their studies. What will the teachers like me do then?” an angry man, with thick glasses, cried tersely.

Before Hari could respond, they dragged him to the outside as the skies continued to pour relentlessly. Someone punched him on his face and he fell on the ground. The angry men beat him mercilessly with wooden sticks. Some of them kicked him vigorously. Some pounded him with lusty blows. A thin stream of blood emanated from a corner of his head. Hari was helpless. He did not retaliate. But the venom of the villagers was uncompromising. After an hour of brutal assault, they went away. The rains had subsided and the corpse of Raju was set ablaze with plenty of kerosene fuelling the fire. Strange! The villagers so easily did a task for which, Hari thought, he was indispensable.

He crawled towards the crematorium with dying intensity, inching ahead with all his force, leaving behind a trail of red all along his path. The frogs from the nearby pond croaked again. But this time, their songs sounded like an elegy. A requiem.

“This might be a punishment for Raju’s attempt to destroy the beehive”, Hari pondered.
He had lost ample blood in the commotion. The stream of blood refused to stop. It flew endlessly… as though it was destined to end with the last trickle. Hari believed that he would never see the morning. He would never meet those birds and butterflies again!
After reaching the crematorium, he sat prostrate, with his knee kissing his chin, and wistfully stared at the funeral pyre, while the hundred memories of Raju flashed before his eyes. He was occupied by a strange mix of sorrow and regret.

The next day, the hut of Hari was torched by the villagers. The garden of beautiful flowers and vegetables was obliterated. The birds and butterflies were displaced. But the villagers did not find him. In fact, they never found him again! Some believed that he left the place. Some thought that the old man had succumbed to the injuries and was therefore buried somewhere with the fear of the MLA’s son who happened to be a loyal partisan of the old man. Some people also conjectured that his apparition was seen near the pond in the dead of the night exclusively in the rainy season, relishing the songs of the frogs.  In fact, the disappearance of the cremator became a mystery, a mystery that was never unravelled!

An year later, Monu, who had been to the village on a vacation, came to the abandoned area with a group of his friends. He pointed a finger at the debris and said to them like a professional guide, “There lived the cremator!”

Saturday, 20 February 2016

Poetry 2016 Shortlist, Debasish Mishra

Aftermath of A Cyclone

There used to be a temple
On the other end of the road,
Yes, there was a road!
It's bells rattled with holy hymns
Of the aged priest
And the zestful repetition
Of a fervent chorus,
While smokes and incense,
Proportionally wedded to each other,
Emerged out like Freedom.
There used to be a school nearby
Whose uniformed kids,
Screamed and smiled,
And seldom studied
Behind the erstwhile building.
In its vicinity was the playground
Where the same kids
With soiled hands and legs
Jumped and revelled
Amidst sweat, abuses, dirt and cow-dung.
And there was a colony,
Where innocuous men
Lived ordinary lives
Of petty merchants or contractual workers,
Dwelling in thatched roofs or semi-cemented walls;
A few prosperous ones,however,
Worked on higher echelons
And greater emoluments.
Their houses had larger rooms,
Spacious corridors,
And marble floors.
All their housewives - waited for them
In restless evenings
With hopes and tea.
Now, the wait is over.
There is no 'waiter' or 'waited'.
All are waived by the waves,
Like the temple, the school and the colony
Which are nowhere to be seen!
A strange degree of nostalgia
Still holds them though,
Unlike the physical maps
Where they are all missing.
Men and monuments
Are marred by Nature
Like sandhouses effaced by rollicking waves.
It's surprising how destruction,
Like darkness, can equate the odds,
By toning down everything
To a mere zero.
As days pass by,
A new habitation emanates
From the domains of the debris.
A new temple is made,
A new school is built,
A new colony is established,
A new town is born.
It seems as if whatever was ruined
Has been renovated by Time.
It is evidenced that the town
And the cycle of humanity
Are a pair of Phoenixes
Which rise from their ashes
Time and again.

Monday, 15 September 2014

Short Story 2014 Shortlist, Debasish Mishra

The Lady-Next-Door

The two-day-tedious journey of the tired train came to an end. It was my first visit to Kolkata. I felt as if I was lost in the endless huddle of human population. The one-eyed taxi driver- whose services were unfortunately cast on me by the prepaid taxi-stand- focused on the traffic ahead while I kept on gazing the grandeur of the Howrah bridge and the ancient imprints in the historic city. Quite contrary to my apprehensions, the taxi driver safely dropped me in Tollygunge- outside the Post Office as mentioned beforehand by the local staff of my office. Raju - a lad in his twenties- was waiting there. He was a worker in the branch,who was entrusted by the branch manager to guide me. He identified me as I got down from the taxi . "Welcome,Sir",he affably said. "Raju?"I  asked for confirmation. "Yes, Sir", he replied and voluntarily picked my luggage. I walked with him through the narrow lanes for almost five minutes until he announced,"This is the house arranged for you, Sir". I took the keys from him and  unlocked the aged doors of the old building.

I was a stranger to Kolkata. I was not comfortable at all. I could not adjust to the change of weather, culture, language and food. The transfer from Delhi to Kolkata was a painful transition for me.  My loneliness accentuated in the new place, especially after my return from office. My colleagues consoled that the feeling of discomfort would eventually pass with time. My parents ,on the other hand, felt that a matrimonial alliance would better my situation. The bottom line was simple : it was just the beginning and I had to face every challenge alone.

My father - Mr. Varun Garg- was a retired bureaucrat. He always wanted me to join the civil services. However,I had no real interest in it. I always aspired to make a career in the banking sector. I found the job of a banker quite appealing. The most painful thing to happen,prior to my transfer from Delhi,was the separation from my friends. Mohit Sharma had become a police inspector in Delhi and Salim Jafar was looking after his father's business. Both of them were my best buddies . The fun and delight that we shared together was unforgettable. I missed them more than before after landing in the lap of loneliness in Kolkata...
One fine evening, probably after a week or so, someone ringed my door bell. I was surprised as I didn't anticipate any guest. I opened the door with curiosity. A tall old man with a round visage,stood at the threshold. He wore a red T-shirt over his casual pyjamas.  "Hello Mr.Garg",he greeted with utmost politeness. "Hello",I instantly returned as though it was the practical application of Newton's third law.  "May I come in",he asked with a radiant smile. I nodded my head in approval although I had a fair amount of reluctance. It was not because he was a stranger. Rather my hesitation emanated for the dismal conditions of the house. My towel was lying over a chair. My clothes were heaped in the bed. Books and newspapers were littered on the floor. He could clearly understand the fact that he was an unwelcome guest without me saying a word. He himself volunteered,"I understand the travails of bachelor-life". Having nothing more to offer,I responded with a smile. I asked him to sit on the chair after removing the towel.
"I am Biswajit Ganguly - your neighbour", he declared with a prophetic smile. "The building in red - a hundred meters from this house ",he added . "Nice meeting you Mr. Ganguly",I said. "I heard that you occupied this house . It was lying vacant for a long time since Mr. Basu's departure to Bangalore. Great locality, I must tell you."

"Yeah",I agreed.
"So, you work in a bank ?"he quizzed.
"Yes,I do",I said,"Is there any problem in it?"
"No way...It's a beautiful profession. Money matters",he laughed.

I preferred to stay silent. Meanwhile, I was getting irritated at his untimely intrusion. Breaking the air of silence,he said,"My daughter Maya got the offer to join the Supreme Bank of India. But she did not wish to pursue her career in the banking sector".
Suddenly,I started to find interest in the erstwhile boring conversation.
"May be,she took the right decision",I opined ."She thinks so....She blindly follows her heart",he ruminated with a twinkle in the eyes.He spoke on his daughter for quite some time- detailing on her likes and dislikes. I was on the receiving end. "Oh,Sorry for disturbing you. I heard that you are alone . Therefore,I felt like giving you a little company. Come to my house for dinner someday. You will have some good time with my wife and daughter",he offered after an hour of directionless  chatter.
"Of course,I will",I answered in the affirmative although I was shy and reticent to the core . He left the place restoring the silence and loneliness.
Almost every evening, Mr. Ganguly would come to my home, have a cup of tea, talk about the same things endlessly- basically revolving around Maya- and return with the routine invitation  for dinner at his house. I always had an excuse to offer. I was slowly getting used to his company .
One day,he discovered my diary--where I had scribbled a hundred poems. "Oh! You are a poet",he exclaimed in joy.
"Yes. Unfortunately, I'm one",I smiled.
"Maya loves to read poetry. She will be elated to read this fresh collection. If you don't mind, can I take this with me?"he enquired.
"Oh yeah. Why not!" I reciprocated.
He left my house in glee as though he had discovered a hidden treasure .The next day,he brought compliments for my poems. "Maya is deeply touched by your words and emotions,"he informed . I was speechless,almost on cloud nine.  A compliment from the other gender always ignites a special feeling.  I tried to hide my emotions  with an indifferent expression.
On another day,he was relatively serious. He spoke of his emotional attachment with Maya. "I'm afraid of the day when my daughter will leave our house and adorn another one... I'm scared of losing her love,concern and care to her spouse. But Time is a great teacher". I gazed at the glow in his eyes that bore testimony to the purity of his emotions. " You are also a bachelor. If I find someone like you for my daughter, I would not mind to accept the pain of separation",he added with a mystic smile. I wondered whether it was an indirect offer. "Don't worry Sir. Fate must have chosen a worthy man somewhere...",I consoled with a curve on my lips. A few minutes later, I served a couple of cups brimming with hot tea as usual before Mr.Ganguly could bid me a bye for the day .
Days passed. After a hectic toil in office,the time spent with Mr.Ganguly was the perfect refreshment. More than his company, I enjoyed the description and details of Maya which he provided. I had formed an imaginary picture of her. I was too shy to ask Mr.Ganguly for a photograph.
I was not that social to ask about her to anybody in the locality. The curiosity of my heart was greatly unsated. I was,perhaps,attracted towards Maya. The way Mr.Ganguly endorsed her,any one would develop a soft corner. I assumed that Mr.Ganguly was overtly interested in getting her married to me. A lonely heart and an empty brain can reach the extremes of imagination and thought.
My mother smelled the issue during a telephonic conversation when I casually asked her if she had any problems with me getting married to a Bengali. "What?  Have you fallen in love with someone, son. I knew you were simple and someone would trap you!"she replied like a typical Indian mother. "I was just asking casually. If I ask about a crime,do I become a criminal",I defended myself. "I'm your mother,boy",she said,"and I can see that you are liking someone". "Anyone of your colleagues?"she enquired authoritatively. "No, almost all my staff members are double my age",I giggled. "Who,then?Express, beta. I'm your mother".
After a few moments of silence,I said : " A neighbour. A lady-next-door. Whom I've never seen".

"What!"she exclaimed in surprise.
I narrated the whole matter- beginning with Mr. Ganguly's entry to the praises of my poems - and still persisted with the dialogue :"By the way, I'm not serious at all. If a dog bites you, you are helpless and affected without doing anything".
My mother pondered over the analogy that I sheepishly used to look like a saint. The following conversations made me aware of my mother's relentless inquisitiveness.
Meanwhile, I received the order of my official transfer to Delhi- my home. For an entire year,I kept craving for this day.  But when I had it in my hand, I was internally hesitant. I didn't want to leave Kolkata. I had developed a sense of affinity for the language,the culture, the food,Mr.Ganguly and Maya-whom I had never met in person. I was impatient to share this news with Mr. Ganguly. I was hoping to confess my weakness for,and my desire to meet, Maya to him. Mounting official pressure wanted me to leave Kolkata as soon as possible. Mr.Ganguly was not seen for a week or so . As the last resort, I decided to walk into his house, shunning all cannons of shyness .
I pressed the doorbell nervously. A middle-aged-woman draped in a beautiful pink silk saree opened the door . "Yes",she quizzed. "I wanted to meet Mr.Ganguly",I fumbled. "Who are you?I couldn't recognise you",she asked. "I am Shekhar. I live in the old building of Mr.Basu- a few yards away",I answered. "Oh! You work in the bank.Right!Please come in",she welcomed. "I am Mrs.Ganguly",she added.
I joined my hands in respect and perched on the couch. It was a well decorated house (a stark contrast to my own accommodation) where the walls were adorned with beautiful paintings and artistic handworks . I looked here and there -- probably because I was not able to directly ask about Maya. I was crazy and curious to see her.
to directly ask about Maya. I was crazy and curious to see her.
"I am not able to see",I whispered.
"What ?"she retorted back.
"Mr.Ganguly",I said with a sudden stroke of wit.
"He was seriously ill for the last one week. He had a heart-attack",she pensively said.
"What!",I exclaimed in shock and surprise.
"Nothing to worry. He's out of danger. He'll be released tomorrow from the hospital",she informed .
"Thank God",I heaved a sigh of relief.
"I am old and alone . It's very difficult to manage a crisis ",she observed.
"But I assume,your daughter is there with him . You don't need to panic",I tried to console her .
She did not say a word . She was blank,almost petrified.
I stood up from the couch instantly and asked,"What happened,madam?"
After a few minutes of silence,she pointed her finger to a corner of the wall where a photograph was circled with a wreath of flowers. I was puzzled and scandalised. "She was our only daughter - Maya - who died in a plane crash five years ago",she spoke with a smarting voice . Tears distorted her countenance - unleashing the kohl and expressions of the eyes . On the other hand,my dreams suffered a premature death. Nevertheless,I held her hand to give her some fortitude.

"Mr.Ganguly cannot accept the truth. He believes that our daughter is still alive",she continued . I heard her silently. "Some days ago an engineer - as young as you- was staying in our neighbouring building with his parents. Mr.Ganguly invited them to see our daughter for a wedding alliance. It is so embarrassing",she cried. I wore the attire of silence.
"Last week,when we had an argument on the existence of our daughter, he was agitated . And then he had this heart attack",she ruefully added.
At last,I had to break my silence. "Calm down Mrs.Ganguly. You have to be strong. You have to balance Mr.Ganguly,"I consoled. I also apologized for rubbing the old wounds.
After an hour of shocks and surprises, I moved out of her house - leaving her with her tears and memories. The episode of Maya was hard to forget . It was unbelievable,uncanny and unfortunate. I was angry and sympathetic towards Mr.Ganguly at the same time . I could not meet Mr.Ganguly after that. I didn't have the courage to visit his house again. I left Kolkata after a couple of days. My diary which almost had a  hundred poems remained with him. On the other hand, the thousands of incidents related to Maya and narrated by Mr.Ganguly stayed with me...



Wednesday, 10 September 2014

Poetry 2014 Longlist, Debasish Mishra

SMELL OF BLOOD

Smell of blood...shrieks of pain,
The entire earth seems a graveyard;
The Supreme creatures are all insane,
Killing and dying for some paltry reward!
The greed to gobble a greater share,
The tantalizing lure of false vigour;
Have spread the violence everywhere
While the understanding lacks any rigour.
Somewhere the gory fights erupt
In the name of promoting religion
Though Gods everywhere have never talked
Or endorsed brutality and rebellion.
Somewhere the urge of fake glory
And the call of hysterical patriotism
Flares the flashes of burning fury
And refutes all tenets of humanism.
But fire has that strange force,
It will burn the world in entirety;
You,me and everyone,of course...
Till the last trickle of humanity!
Before we paint the World with red
And plan for another World war,
Why don't we sit and scratch our head
And realise what we really are!
Races and oceans may divide us
But there is that one uniting thing-
Beyond the flakes of fabricated fuss,
Each one of us is a human being!